The other problem is that having a fixture made by company A does not necessarily talk with the fixture from company B in a logical way. One could of course apply the integrated microphones in each fixture separately and adjust their frequency responses accordingly (essentially having no master fixture), but this would result in a horrible, uncontrollable mashup of all possible colors. This prevents one from assigning certain frequencies (e.g kick drum) to specific lights. First, the integrated sound recognition systems in fixtures aren’t too complex. My initial thought was to use the microphone on one of the fixtures and use this light as the master that would control the rest of the lights (slaves). Recently, I had the opportunity of building a discotheque at a house party. The system also implements the iPad for controlling the lights when automatic sequences become boring. Here I describe a method for utilizing Ableton Live and some third-party plugins to create an automatic DMX light controller system. ![]() ![]() ![]() Oftentimes the built-in sound recognition systems in lighting fixtures are rudimentary and boring.
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